PaulFeeley.Com | Virtual Gallery | Past Exhibitions | Biography | Estate Contacts |
PAUL FEELEY BIBLIOGRAPHY Journal and Newspaper Reviews, Articles, Reproductions: |
|
1928 | Bogardus, Ethel, “Boy Excites Artist with His Sketches,” San Francisco Examiner, June 3, 1928. Photo of Feeley working on portrait of Hobart B. Jacobs. |
1934 |
The Bulletin of the Beaux-Arts Institute of Design, Vol. 10, no. 9, July, 1934, pp.15-16 First Medal – P. Feeley, Beaux-Arts
Atelier: Mural Decoration Program VII—“The Sanctuary of a Small Catholic
Chapel.” The Bulletin of the Beaux-Arts Institute of Design, Vol. 10, no. 10, August, 1934, pp. 23-24. Second Medal – P. Feeley, Beaux-Arts
Atelier: Mural Decoration Program VIII – “Grill Room of a Riding Club.” |
1948 |
“Reviews and Previews; Paul Feeley,”
Art News, New York, Vol. 47, no. 8, December, 1948, p. 54. (New School) “Creative Art Unit in First Exhibition,”
The New York Times, November
19, 1948. (New School) “Paul Feeley,” New
York Herald Tribune, December 12, 1948. |
1949 | Adlow,
Dorothy, “New England Painting and Sculpture: Regional Show at Institute
of Contemporary Art,” Christian Science Monitor, May 9, 1949. |
1950 |
“Feeley,” The
Boston Globe, November 19, 1950. “Paul Feeley Has First Exhibit Here,”
Santa Barbara News-Press, December 3, 1950. “Navy Portraits, Feeley Caseins, Fine
Exhibitions at Art Museum,” Santa
Barbara News-Press, December 10, 1950.
Reprinted in The San
Francisco Examiner, February 11, 1951. |
1951 |
Hagan, R.H., “Some Local Galleries
In Brief Review,” San Francisco
Chronicle, February 11, 1951. (Graham-Feeley, San Francisco Museum) Cross, Miriam Dungan, “Art-Music,”
Oakland Tribune, February 18, 1951, p. C-3. E.V.C., “Editor at Bat,” Daily
Palo Alto Times, February 20, 1951, page 6, with possible post
script within the week. “Wellknown Eastern Painter Visits
Here,” Monterey Peninsula Herald,
November 5, 1951, p. 11. (Photo of Feeley, Helen, Gillian, Jennifer,
and one black poodle). Probably written by Eugene Goossen. Rough draft
in Eugene Goossen papers, Archives of American Art. “In New Group Show,” Monterey Peninsula
Herald, Monterey, California, November 8, 1951, p. 2. Reproduction
of “Two Sisters.” |
1953 |
Smith, Wayne C., “Cummington Has Students’
Exhibit,” Union, Springfield,
Massachusetts, July 31, 1953. Smith, Wayne C., “Several Art Exhibitions
Claim Attention in Week,” Sunday
Republican, Springfield, Massachusetts, August 2, 1953. “College to Exhibit Paintings in ‘Gouache,’”
Milton and Milton Junction Courier,
Milton Junction, Wisconsin, October 1, 1953. “College Offers Display of Art,” Rockford Morning Star, October 4, 1953, p. 10A. (Milton) “Prominent Artist To Show Works At
Milton College,” Janesville
Daily Gazette, October 2, 1953. Nemerov, Howard, “On a Painting,”
Bennington College Alumnae Quarterly, vol. 5, no. 1, Fall, 1953, pp.
11-13. |
1954 | “Talent
Tryout,” New York Herald Tribune,
January 24, 1954. (Kootz) |
1955 |
L. C. (Lawrence Campbell), “Reviews
and Previews; Paul Feeley,” Art
News, New York, Vol. 54, no. 6, October, 1955, p. 48, ill. (De
Nagy, October 4-22) Arts,
New York, vol. 30, no. 1, October, 1955, p. 54, ill. “About Art and Artists,” The
New York Times, October 7, 1955. (De Nagy) E.C. Goossen, “New York Letter: Feeley
and Krasner,” Monterey Peninsula
Herald, October 20, 1955, p. 24. Reproduction only: “Rorschach” illustration
for cover, Bennington College
Alumnae Quarterly, Winter, 1955-56. |
1956 |
Editorial, “Artists at Liberty,” Life Magazine, February 6, 1956, p. 30. Editorial, “Life and the Crazy Artists,”
Art News, New York, New
York, March, 1956, p. 23. |
1957 |
Colson, Chester E., “Exhibits of Modern
Art at Fleming Give Pleasant Escape From Winter,” Burlington
Free Press, Burlington, Vermont, January 26, 1957. “Feeley Water Colors To Be Exhibited,”
Bennington Banner, Bennington, Vermont, March 30, 1957. “Feeley Water Colors Shown,” North Adams Transcript, North Adams, Massachusetts, April 1, 1957. |
1958 |
Ashton, Dore, “Art: Recent Paintings,”
The New York Times, February 18, 1958. (Tibor de Nagy) L. C. (Lawrence Campbell), “Reviews
and Previews; Paul Feeley,” Art
News, New York, vol. 57, no. 1, March, 1958, p. 13.
(Tibor de Nagy) R.W. D. (R. Warren Dash), “In the
Galleries; Paul Feeley,” Arts,
New York, vol. 32, no. 6, March, 1958, p. 60. (Tibor de Nagy) |
1959 | I.
H. S. (Irving H. Sandler), “Reviews and Previews,” Art
News, New York, vol. 38, no. 2, April, 1959, p. 13. (Parsons) |
1960 |
L. C. (Lawrence Campbell) “Reviews
and Previews; Paul Feeley,” Art
News, New York, vol. 59, no. 3, May, 1960, p. 15. (Parsons) D. J. (Donald Judd), “In the Galleries;
Paul Feeley,” Arts, New
York, vol. 34, no. 8, May, 1960, pp. 60-61. (Parsons) |
1962 |
Preston, Stuart, “Art: Abstract Expressionism
to Suit Two Tastes,” The New
York Times, New York, Saturday, May 19, 1962, p. 24. L. C. (Lawrence Campbell), “Reviews
and Previews; Paul Feeley,” Art
News, New York, vol. 61, no. 4, Summer, 1962, p. 17, ill., Carthage,
1962. (Parsons) Judd, Donald, “New York Reports; In
the Galleries: Paul Feeley,” Arts,
New York, vol. 36, no. 10, September, 1962, p. 47, ill., Syracuse,
1962. (Parsons) Lynton, Norbert, “London Letter: American
Painters,” Art International,
vol. 1, no. 7, September, 1962, p. 48, ill., Cassius, 1959. (Molton) |
1963 |
I.H. S. (Irving H. Sandler), “Reviews
and Previews; Paul Feeley,” Art
News, New York, vol. 62, no. 3, May, 1963, p. 58. (Parsons) B. O’D., “Paul Feeley,” The
New York Times, May 19, 1963. (Parsons) Judd, Donald, “In the Galleries, Paul
Feeley,” Arts, New York,
vol. 37, no. 10, p. 59, September, 1963, ill., Petono, 1962. (Parsons) Frankenstein, Alfred, “Charm, Precision
of N.Y. Artists,” The San Francisco
Chronicle, December 2, 1963. (Dilexi) |
1964 |
Alloway, Lawrence, “Profile of Paul
Feeley,” Living Arts 3,
London, 1964, pp. 26-28, ill., Red and Green, 1954. Alloway, Lawrence, “Opinions of Paul
Feeley,” (Interviewed by Lawrence Alloway), Living
Arts 3, London, 1964, pp. 28-47, ill., Kilroy, 1957; Thruway,
1957; Rafina Watercolor, 1961, collection of Alexander Liberman; Sterope,
1957; Cassius, 1960; Atlanta, 1961; Lysander, 1962; Homer, 1962 (incorrectly
titled in article); Medusa, 1962; Untitled, 1963 (probably Katadoro);
Untitled, 1963; Petono, 1962; Untitled, 1963 (possibly Somara); Eight
Colour Permutations on Three Figures, 1963. Alloway, Lawrence, “Paul Feeley: Opinions
on Painting,” (Edited reprint from Living Arts 3, 1964), Bennington
College Bulletin, vol. 32, no. 4, May 1964, ill., Acrux, 1964;
Lacona, 1962; Hawara, 1962; Caesarea, 1962. Cover image: Acubens,
1964. Canaday, John, “Painters’ Eyes,” The New York Times, March 8, 1964. Seldis, Henry J., “Controversial Exhibition
Explores New Abstract Trend,” Los
Angeles Times, May 3, 1964, Calendar Section, p. 9, ill., Asijatija,
1963. Coplans, John, “Post-Painterly Abstraction”
Artforum, San Francisco,
vol. II, no. 12, Summer, 1964, pp. 4-9, ill., Asijatija, 1963. “Art Tour: Paul Feeley,” New
York Herald Tribune, October 31, 1964. (Parsons) “On the Rebound from Abstract Expressionism,
from Our Art Critic,” The Times,
London, England, November 5, 1964. (Kasmin) Stoecker, Karl, “Paul Feeley, Kasmin
Limited,” The Arts Review,
November 14, 1964. Melville, Robert, “Kasmin Gallery,”
The New Statesman, November 20, 1964. “Paul Feeley,” Time,
November 6, 1964, p. 9. (Parsons) Chapman, Max, “Kasmin” What’s
On In London: Art, November 27, 1964. (Kasmin) Goossen, E. C., “Paul Feeley,” Art International, Lugano, Switzerland, vol. VIII, no. 10, December,
1964, pp. 31-33, ill., Katadoro, 1963; Metapa, 1962; Alnium (listed
as untitled); Ilion, 1962; Untitled, 1964. Lynton, Norbert, “London Letter: Stella
and Feeley,” Art International,
Lugano, Switzerland, vol. VIII, no. 10, December, 1964, p. 44, ill.,
Alkaphrah, 1964. (Kasmin) Rose, Barbara, “New York Letter: Post-Painterly
Abstraction,” Art International,
Lugano, Switzerland, vol. VIII, no. 10, December, 1964, p. 50. (Parsons) N. E. (Natalie Edgar), “Reviews and
Previews; Paul Feeley,” Art
News, New York, vol. 63, no. 8, December, 1964, p. 14, ill., Alnium,
1964. (Parsons) Judd, Donald, “Paul Feeley,” Arts, New York, vol. 39, no. 3, December, 1964, p. 69, ill., Alphard,
1964. (Parsons) Gruen, John, “Art: The Shaped Canvas,”
The Sunday Herald Tribune Magazine, New York, New York, December 20,
1964. (Guggenheim) Reproduction only. “Arneb.” New York Times, November 1, 1964, p. 26. Max Kozloff, “Abstract Attrition,”
Arts, January, 1965, p. 47-50, ill., Altair, 1964. |
1965 |
Judd, Donald, “The Shaped Canvas,”
Arts, New York, vol. 39, no. 5, February, 1965, pp. 56-57. Seitz, William, “The New Perceptual
Art,” Vogue, February 15,
1965, pp. 78-80, 142-143. Ill., Alnium, 1964.
(“The Responsive Eye,” Museum of Modern Art) Canaday, John, “Art: Capturing the
Optical Movement in an Exhibit,” The
New York Times, February 25, 1965, p. 25. (“The Responsive Eye,”
Museum of Modern Art) Rykwert, Joseph, “Mostra a Londra,”
Domus, Milan, no. 424, March 3, 1965, p. 54. Lippard, Lucy, “New York Letter,”
Art International, March 1965. (The Shaped Canvas, Guggenheim). “Four Vermont Artists at New York
Modern Art Museum,” Bennington
Banner, Bennington, Vermont, April 8, 1965, p. 5. (“Responsive
Eye” artists: Feeley; Hewitt; Noland; Stroud.) “Bennington College Artists To Exhibit,”
Burlington Free Press, Burlington,
Vermont, May 1, 1965. (Forty Key Artists, Detroit Institute: Feeley;
Olitski) “Two College Artists in Detroit Exhibit,”
Bennington Banner, Bennington,
Vermont, May 6, 1965. French, Winsor, “Bennington is Full
of Life,” Cleveland Press,
Cleveland, Ohio, August 2, 1965. Du Plessix, Francine (ed.), “Painters
and Poets,” Art in America,
New York, October-November, 1965, vol. 53, no. 5, pp. 24-56 (illustration
by Feeley for Lawrence Alloway’s “School of Scyros,” 3 out of 9,”
p. 52. Glueck, Grace, “New York Gallery Notes,”
Art in America, New York,
vol. 53, no. 6, December, 1965 – January, 1966, p. 124, ill., Ster
1965, sculpture. (Parsons) “Reviews and Previews; Paul Feeley,”
Art News, New York, vol. 64, no. 8, December, 1965, p. 14, ill., sculpture,
“Ster,” 1965 (#771). (Parsons) Anon.,
“Paul Feeley,” Time, December
10, 1965. (Parsons) Gruen, John, “Art Tour: Paul Feeley,”
New York Herald Tribune, December 11, 1965, p. 11. (Parsons) |
1966 |
Coates, Robert M., “The Art Galleries,
Merry-Go-Round,” New Yorker,
January 1, 1966, pp.52, 55. (Whitney Annual) “Paul Feeley,” Art
Forum, January, 1966, ill., sculpture, Ster, 1965. (Parsons) Baro, Gene, “Paul Feeley: The Art
of the Definite,” Arts,
New York, vol. 40, no. 4, February, 1966, pp. 19-25. Photo of Feeley;
Red and Green, 1954; Ilion, 1962; Almaha, 1957; Maia, 1963; Elna 1,
2, 3, 4 , 1965, designed expressly for Arts
by Paul Feeley; Arpa, 1964; Errai, model for a sculpture court, 1965;
sculpture, El Kophrah, 1965. Cover photo of sculpture, Enir, 1965. Lippard, Lucy, Artforum,
February, 1966, vol. 4, no. 6, p. 54, ill., Steora. (Parsons) Artforum,
March, 1966, vol. 4, no. 7, p. 15, ill. (Wilder) Goossen, E. C., “Paul Feeley, 56,
Painter, is Dead,” The New York
Times, June 12, 1966, p. 86. (Incorrect age in headline.
He died at age 55. Published
anonymously. Rough draft
among papers of E. C. Goossen at the Archives of American Art.) “Noted Artist Paul Feeley Dies; Bennington
College Teacher,” Bennington
Banner, June 13, 1966, p. 1. Solomon, Alan, “Bennington Artists:
The Green Mountain Boys,” Vogue,
vol. 148, no. 2, August 1, 1966, pp. 104-109, 151-152. “Obituaries: Paul Feeley,” Art News, New York, vol. 65, no. 5, September, 1966, p. 13. Aujourd’hui,
Paris, vol. 10, no. 54, September, 1966, p. 103, ill., Alphard, 1966.
(Lausanne, Galeries Pilotes) Kramer, Hilton, “‘Systemic Painting’:
An Art For Critics,” The New
York Times, September 18, 1966. Kramer, H., The
New York Times, November 5, 1966. Kramer. H., “The Thingification of
Sculpture,” The New York Times,
November 13, 1966, p. D17. Goossen, E. C., “20th Anniversary
‘Pattern Art’,” 57th
Street Review, New York, November 15, 1966. L. C. (Lawrence Campbell), “Reviews
and Previews; Paul Feeley,” Art
News, New York, vol. 65, no. 8, December 1966, p. 10, ill., Gomelza,
1965. “Caro, Feeley, Olitski, And Smith
Have One-Man Shows,” Quadrille,
December, 1966, p. 1, ill., Sculpture Court; Gomelza; Cheleb. (Parsons) C. N., “Reviews in the galleries;
Paul Feeley,” Arts, New
York, vol. 41, no. 3, December, 1966–January, 1967, p. 66. (Parsons) Aujourd’hui,
Paris, vol. 10, no. 55-56, December 1966 – January 1967, p. 162, ill.,
Asellus, 1964. (“Systemic Painting,” Guggenheim). |
1967 |
Benedikt, Michael, “New York Letter,”
Art International, Lugano, Switzerland, vol. XI, no. 1, January 20,
1967, pp. 56-62. (Feeley, p. 58-59) (Parsons) Reproduction only: “Collection of
Mr. & Mrs. Robert B. Mayer,” Holiday,
March, 1967. Alruccabah, 1964. Goossen, E.C., “Georgia O’Keeffe,”
Vogue, March 1, 1967, p. 224. (Influence on Feeley). Reproduction only: Advertisement for
Boulevardier, printed in Newsweek,
March 6, 1997. (Model holding magazine with photo of Ruth Ann Fredenthal
painting sculpture as Feeley watches). Hakanson, Joy, “20 Painters, 9 Sculptors
in ‘Color, Image, Form,’” Detroit
News, Detroit, Michigan, March 26, 1967, [no page]. Ill., El Kophrah.
(Detroit Institute) Alloway, Lawrence, “The Artist as
Bookmaker: Notebook Art,” Arts,
New York, vol. 41, no. 8, Summer, 1967, pp. 22-23, ill. Reproduction only, Bloustein, Edward
J., Education on a Human Scale: A Program of Development for Bennington
College, 1967. Cover and back reproduction of Feeley unidentified
“Jack” painting, yellow and dark orange. |
Andreae, Christopher, “Jack,” Christian Science Monitor, March 25, 1968, p. 10, ill., Jack, 1968. “Feeley Art Exhibition at Guggenheim
Museum,” Bennington Banner,
March 29, 1968. Campbell, Lawrence, ed., Art
Students League News, vol. 21, no. 4, April, 1968, pp. 1-2. (Review) Baro, Gene, “Paul Feeley: Serene and
Joyful Vitality,” Vogue,
vol. 151, no. 7, April 1, 1968, pp. 180-181, 231. Kramer, Hilton, “The Pressure of a
Style,” The New York Times,
April 14, 1968, p. D29. Wichelns, Jerome, “Paul Feeley’s Lyric
Leap Beyond Time And Space,”
Bennington Banner, April 20, 1968, p. 2. Andreae, Christopher, “Art that Just
Sat Still and Had a Presence,”
Christian Science Monitor, International ed., April 26, 1968,
p. 4; National Edition, April 30, 1968, p. 6. Ill., Sculpture Court,
Maia, Katadoro. (Guggenheim, Bennington) “Feeley at Guggenheim,” Arts,
vol. 42, no. 7, May, 1968, p. 21, ill., “Sculpture Court” 1966-68. Bourdon, David, (unsigned), “Paul
Feeley, a Voluble Dandy Who Taught Vision Using Jacks,” Life
Magazine, vol. 64, no. 20, May 17, 1968, pp. 94-98, ill., Jack
sculpture; Formal Haut, Alnium, Alphard, Gomelza, Sculpture Court.
(Guggenheim) Alloway, Lawrence, “Paul Feeley: Two
Recent Exhibitions,” Arts Magazine,
vol. 42, no. 8, New York, Summer 1968, p. 41-3, ill., Cassius, 1960;
Untitled Drawing (Feb. 4, 1962); Ionia, 1962; Altair, 1964, Untitled
Drawing, undated. Battcock, Gregory, “The Art of the
Real: The Development of a Style: 1948-68,” Arts
Magazine, vol. 42, no. 8, New York, Summer 1968, pp. 44-47. (no
mention of Feeley). Hyman, Laurence, ed., Quadrille,
Bennington College, vol. 2, no. 5, June 1968, p. 5, ill., Sculpture
Court, Jack, Group of drawings. Reproduction only: “Sculpture Court,”
The Washington Post, June 30, 1968, p. G1. (Corcoran Gallery). “Forest in the Guggenheim,” P/A News Report, (Progressive Architecture Rheinhold Pet. Corp., 430
Park Ave., New York) June, 1968, p. 48. “Forest in the Guggenheim,” il Progres Arch, vol. 49, June, 1968, p. 48. “Best Bets: Painted Realism,” New York Magazine, vol. 1, no. 13, July 1, 1968. Baro, Gene, “The Art of Paul Feeley,”
Studio International, vol. 176, no. 902, London, England, July, 1968,
p. 24-8, ill., Red Blotch, 1954; sculpture, Jack; 1965; sculpture,
Deneb-el-Okab, 1965; sculpture, Errai, 1965; Cheleb, 1965; Carthage,
1962; Sculpture Court, 1968. “Artists ‘Make,’ Not Represent,” Stamford Advocate, Stamford, Connecticut, July 27, 1968, ill., Deneb-El-Algedi.
(Art of the Real) (Reproduction only). Mellow, James R., “New York Letter,”
Art International, vol. XII, no. 6, Summer, 1968, p. 113. (ill., Ionia,
1962; Sculpture Court, 1965). Wasserman, Emily, “Review,” Artforum, vol. VI, no. 10, Summer, 1968, pp. 54-55. Ill., Sculpture
Court, 1968; Untitled, 1956. “Sculpture Court Comes to Town,” The Evening Star, Washington, D.C., June 18, 1968, p. B1. (Ill., Sculpture
Court). (Corcoran) Reproduction only: Washington
Post, June 18, 1968, p. B.2. Ill., Sculpture Court at Corcoran. Washington
Star, June 18, 1968, p. B.1. (Sculpture
Court at Corcoran) Washington
Post, Washington, DC., June 30, 1968, p.
G1. Kramer, Hilton, “The Abstract and
the Real: From Metaphysics to Visual Facts,” The
New York Times, July 21, 1968. (“Art of the Real,” Museum of Modern
Art) Andreae, Christopher, “Paul Feeley,”
Christian Science Monitor, August 9, 1968. (Home Forum page) Ill.,
Ionia, 1962; Paeligni, 1961. Baro, Gene, “Paul Feeley: The Drawings
and Watercolors,” The Bennington
Review, Spring, 1968, p. 25-30. Ill., Untitled (Blue, white, pink,
green), 1962; Untitled (two blues with white), 1962; Trick Dog, 1950;
Torremolinos, 1957; Self-Portrait, 1930; Helen Reading, 1946; Leg,
1927; Dream of Flying, 1940; Washing, 1944-45; Ballplayer, 1944-45;
Figure and Sculpture, 1965; Four Sculptures, 1965; Untitled, 1964;
Untitled, 1964; Untitled, undated. Reproduction only: Studio,
vol. 175, May, 1968, p. 283, ill., “Sculpture Platform” 1966. Reproduction only: Kunstwerk,
vol. 21, April, 1968, p. 44, ill., “Sculpture Court” 1966-68. |
|
1969 |
Reproduction only: The
1969 Compton Yearbook: A Summary and Interpretation of the Events
of 1969 to Supplement Compton’s Encyclopedia, F.E. Compton Co.,
Chicago, Illinois, 1969. Untitled Tondo, (Blue, Red). (#767) Hall, Carolyn, “Current Show More
Eclectic,” The Eccentric,
Birmingham, Michigan, April 3, 1969, pp. 1D, 9D. (National Religious
Art Exhibition) ill., Alcyone, 1963 (incorrectly labeled Giedi). Russell, John, “Painter—Power,” The Sunday Times, London, England, April 17, 1969 [No page]. (Art
of the Real). Reproduction only: Apollo,
vol. 89, May, 1969, p. 394, ill., sculpture, “Denebola” 1965. Reproduction only: Connoisseur,
vol. 171, August, 1969, p. 248, ill., “Alphecca” 1965. Reproduction only: Goya,
no. 92, September, 1969, p. 101, ill., sculpture, “Jack II” 196???. Reproduction only: “Living with Art,”
House & Garden, November, 1969, ill., Untitled, No Record; sculpture,
“Deneb El Okab,” 1965. The Collection of S.I. Newhouse, Jr.) |
1970 |
Last, Martin, Art
News, vol. 69, April, 1970, p. 18. (Parsons) “Recent Gifts,” Kresge
Art Center Bulletin, Michigan State University, May 1970, vol.
III, no. 8. (Clement
Greenberg gifts Feeley Still-Life, 1950, to Kresge Art Center.) Ratcliff, C., Art
International, vol. 14, May, 1970, p. 80. (Parsons) Baldwin, Nick, “The Visual Arts,”
Des Moines Sunday Register, Des Moines, Iowa, August 2, 1970, p. 2L.
(Announcement, Smithsonian Traveling Exhibit.) Art
Journal, vol. 30, no. 1, Fall, 1970, p.
68. (Smithsonian Institution, Washington, DC, exhibit) Alloway, Lawrence, “Spectrum of Monochrome,”
Arts, vol. 45, December,
1970, p. 33, ill., “Acrab” 1964. |
1971 |
Cynthia Smith, “Report on the Feeley
Note-Paper Project,” Quadrille,
May 1971, Vol. 5, No. 2, p. 39. Reproduction only: Arts,
vol. 45, April, 1971, p. 54, ill., Alioth, 1964. Borsick, Helen, “A Touching Memorial,”
The Plain Dealer, Cleveland, Ohio, September 19, 1971. Ill., Paul
Feeley, pencil self-portrait, 1930. (Smithsonian Traveling Exhibit:
Cleveland Institute of Art.) Kramer, Hilton, “Paul Feeley,” The New York Times, October 30, 1971, p. 27. Art
News, vol. 70, November, 1971, p. 22. (Parsons) Gruen, John, “Paul Feeley,” New York Magazine, November 1, 1971, p. 70. (Parsons) Arts,
vol. 46, December, 1971, pp. 63-4. (Parsons) Reproduction only: Baldwin, William,
“A Villa for Active Americans,” House
and Gardens Magazine, February, 1971. |
1972 | “Sometimes
All the Magic Ends Converge …” Quadrille,
Fall, 1972, vol. 7, no. 1, p. 37-40. (Interview with Helen Frankenthaler.) |
1973 |
Art
News, vol. 72, October, 1973, pp. 90-91.
(Crispo Gallery) Hess, Thomas B., “Art: Paul Feeley,”
New York Magazine, October 23, 1973. Arts,
vol. 48, November, 1973, p. 64. (Crispo Gallery) |
1975 |
Arts,
vol. 49, March, 1975, p. 13. (Parsons) Art
News, vol. 74, March, 1975, pp. 107-108.
(Parsons) |
1976 |
Russell, John, “Paul Feeley,” The New York Times, February 28, 1976. Goossen, E. C., and Sidney Tillim,
“Artists at Bennington: Visual Arts Faculty, 1932-1976,” Bennington
College Arts Center Dedication Exhibition, May 20-June 2, 1976.
The Suzanne Lemberg Usdan Gallery, Bennington College, Bennington,
Vermont. Ill, Deneb el Bola, 1965. “André Emmerich Uptown Gallery,” Arts, 50: 18-19, May, 1976. (Emmerich) Arts,
vol. 50, February, 1976, p. 13. Ill., Apyu, 1961, inside cover. (25th
Anniversary Show: Tibor de Nagy Gallery exhibit.) Reproduction only: Art
in America, vol. 64, March, 1976, p. 2. Reproduction only: Art
News, vol. 75, February, 1976, p. 20. |
1980 | “Paul
Feeley, 1910-1966: ‘Formal Haut, 1963’,” Guggenheim
Museum Collection: 1900-1980, Solomon R. Guggenheim Foundation,
New York, NY, 1980, p. 488. |
1983 | Reproduction
only: Contemporary Art from the
Estate of Betty Parsons,” Christies New York, Christie, Manson &
Woods International Inc., New York, November 9, 1983, auction catalogue.
Akerena, 1963; sculpture, Elphekrah, 1965. |
1985 |
“‘Feeley Wall’ Donated to College,
Installed in Crossett Library,” Quadrille,
February, 1985, cover and p. 4. Photo of Feeley in front of wall.
Interview with Eugene Goossen. Brockway, Thomas, “Personalities of
Painters in the 40s: Feeley, Knaths & Holt,” Quadrille,
February 1985, p. 8-9. Photo of Feeley teaching students in late 1940s. Tillim, Sidney, “Art Education at
Bennington: The Creation of Artistic Will,” Quadrille,
February, 1985, p. 8-9. Reprinted from “Bennington Artists: The Years
After,” exhibition catalogue, Usdan Gallery, Bennington College, 1984. Anon., “Making Excellent Use of Usdan
Gallery,” Quadrille, February
1985, p. 16. (on “Art as Personal Relation: The Collection of Lionel
and Laura Nowak.”) |
1988 | Armstrong,
Tom (Director) and Karl Willers (Branch Director), “Made in the Sixties,”
Paintings and Sculpture from the
Permanent Collection of the Whitney Museum of American Art. W. M.A.A.
Downtown at Federal Reserve Plaza, April 18-July 13, 1988, ill., Gomelza,
1965. |
1992 | Smith,
Roberta, “Abstraction: A Trend That May Be Coming Back,” The New York
Times, January 10, 1992, P. C28. Includes review of “Stubborn Painting.” |
1994 | Michael
Kimmelman, “Three 60’s Art Stars Rise and Shine Again,”
The New York Times, May 5, 1994, C15.
(Feeley glaringly absent from a discussion of “The Green Mountain
Boys.”) |
1997 |
Smith, Roberta, “Paul Feeley,” The New York Times, October 3, 1997, p. B36. (Markey) “Paul Feeley,” The
New York Times, October 10, 1997, Ill., Untitled “Paintings Studies,”
1965. (Reproduction and gallery listing) (Markey) |
1998 |
Kernan, Nathan, “Paul Feeley: Works
on Paper,” On-Paper, v.
2, Jan./Feb., 1998, p. 46. Ill., Untitled, watercolor. Glueck, Grace, “During a 60’s Interlude,
Color Was the Content,” The
New York Times, New York, January 30, 1998, p. B33. Kelley, Kevin, “A Rural Revolution: A New Exhibit Looks at the Vermont School That Changed Abstract Art,” The Burlington Free Press, March 14, 1998, pp. 1C, 3C. ill., Alkes, 1964. |
1998 |
“The Green Mountain Boys Return to
Vt.,” Bennington Banner,
Bennington, Vermont, March 14-15, 1998. Rubinstein, Raphael, “Paul Feeley
at Lawrence Markey,” Art in
America, vol. 86, no. 4, April 1998, pp. 114-115, ill., “Untitled,
1964” watercolor. Brennan,
Michael, “Paul Feeley at Lawrence Markey,” Artnet.com/magazine/reviews/brennan,
downloaded March 17, 1998. “Greenberg Again,” Village
Voice, February 3, 1998, p. 139. “The Green Mountain Boys Revisited,”
Bennington: The Alumni Magazine, Spring 1998, p. 24. Installation
shots of show at André Emmerich Gallery. Photographs and excerpts
from 1966 Vogue magazine article. |
1999 | Cordova, Cary, Paul Feeley: His Life, His Art and the Rise of the Avant-Garde at Bennington College, Master of Arts Thesis, Department of American Civilization, University of Texas at Austin, 1999. |
2002 |
"New to the Collection." Carnegie Magazine. Carnegie Museums of Pittsburgh. July-August, 2002. (Alya, 1964.) "Four Experiments in Little Living." New York Times. September 19, 2002. D1. Finch, Charlie. "For Sale: The Object Returns." www.artnet.com/magazine/features/finch/finch10-11-02.asp. October 11, 2002. Newhall, Edith. "The Shape of Things to Come." New York. October 14, 2002. "Paul Feeley." New Yorker. October 28, 2002. p. 25. "Paul Feeley: Painting and Sculpture & Peter Cain: More Courgage and Less Oil." http://www.flavorpill.net/archive/oct-29-02.html. October 29, 2002. Dannatt, Adrian. "Paul Feeley: Painting and Sculpture; Lawrence Markey and Matthew Marks Gallery." The Art Newspaper. November 2002. Clem, Chivas. "Paul Feeley." Time Out: New York. November 14-21, 2002. [image of Elkeber, 1965] Johnson, Ken. "Paul Feeley." New York Times. November 15, 2002. B35. "Paul Feeley: Painting and Sculpture." www.artdealers.org [no longer available online]. Fall 2002.
|
2004 |
David Pagel. "Too Much
Fun To Be Called Elegant." Los Angeles Times. January
16, 2004. E36.
|
Archives of American Art -- Microfilm and Papers Relating to Paul Feeley: |
Bennington College Visual Art Department –
Exhibition Files, Roll No. 2529, #7-1405; Roll No. 2530, #1-1379. Additional roll 2531, #1-286, related to 1970s and 80s. Susan Crile
Interview, August 1-3, 1972, 2 sound
tape reels, 101 p. transcript. Paul Terence Feeley Papers
(1910-1966), Roll No.
D301, Sketchbook, 1927; Sketchbook, 1933; Sketchbook (1934) I (The
Scribble in Book); Sketchbook (1934) II (Mayer Drawing Book); Sketchbook
1934 III, (Black & White hardcover); Sketchbook (1935). Paul Terence Feeley Papers
(1910-1966), Roll No.
442, Correspondence, 1947-1970. Paul Terence Feeley Papers
(1910-1966), Roll No.
443, Correspondence, 1947-1970. Paul Terence Feeley Papers (1910-1966), Roll No.
444, Correspondence, 1947-1970; Miscellaneous writings and notebooks. Paul Terence Feeley Papers (1910-1966),
Roll No. 445, Sketches and notes, 1932-64; Biographical material;
Photographs of paintings and sculpture. Paul Terence Feeley Papers (1910-1966), Roll No.
446, Photographs of Paul Feeley and Family; Photographs of Students of
Feeley at Cooper Union Art School, 1938-1939; Reference Collection of
Reproductions; Exhibition Catalogs, Announcements & Occasional
Letters for One-Man Shows; Exhibition Catalogs, etc., for Group Shows;
Magazine Articles. Paul Terence Feeley Papers (1910-1966),
Roll No. 447, Newspaper Clippings. Helen Frankenthaler Interview, 1969, 34 p.
transcript. E. C. Goossen Papers (1931-1997), loose papers,
Feeley files, box 1 of 2,
1998 gifted collection. Clement Greenberg Papers (1937-1984), 3 rolls,
N737R; N69-91R; N70-7R. Guild Art Gallery Records (ca. 1935-1939), loose
papers, only accessible in Washington, DC office. Betty Parsons Papers and Gallery Records (1927-1985), Rolls N69/105-106; Rolls 4087-4129. |